A god Jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear’s overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear’s overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear’s overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear’s overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

UV Jackals are great for dark clubs and and attracts many while enjoying nightlife. Another request came in for using UV green paint in place of our signature gold for “godpaint”. With wyes and hoses connectors on the order, the customer was able to receive matching UV green connectors. This jackal roams areas halfway around the world from the jackal lab, turning heads and hopefully giving people reason to hold their breath as they witness the entire outfit. 😉

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Sometimes you are trapped between the kind of mythical creature that you want to be. Between equine energies and the dragon, this creation ended up with three light blue horns. Usually the nostrils get modified for dragon orders but the commissioner left it as the horse aspect of this vision, especially with ears absent. Some of the design elements were inspired by Asian deco art. The S-shape horn complements the curved lines finely done with gold…a nightmare in itself when working on symmetry.

Although we do offer a selection of horns for DG1 and DG2 masks, the shape of these golden horns were more to a customer’s character design. The zig zag direction of the horns is subtle in comparison to some drawings, but our poor dragon friend must duck in doorways nonetheless. We revisited the idea of scales/plates for a mask design, addressing the concept of dragon scales in this minimal form.

Although we do offer a selection of horns for DG1 and DG2 masks, the shape of these golden horns were more to a customer’s character design. The zig zag direction of the horns is subtle in comparison to some drawings, but our poor dragon friend must duck in doorways nonetheless. We revisited the idea of scales/plates for a mask design, addressing the concept of dragon scales in this minimal form.

Although we do offer a selection of horns for DG1 and DG2 masks, the shape of these golden horns were more to a customer’s character design. The zig zag direction of the horns is subtle in comparison to some drawings, but our poor dragon friend must duck in doorways nonetheless. We revisited the idea of scales/plates for a mask design, addressing the concept of dragon scales in this minimal form.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

Although we do offer a selection of horns for DG1 and DG2 masks, the shape of these golden horns were more to a customer’s character design. The zig zag direction of the horns is subtle in comparison to some drawings, but our poor dragon friend must duck in doorways nonetheless. We revisited the idea of scales/plates for a mask design, addressing the concept of dragon scales in this minimal form.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

Although we do offer a selection of horns for DG1 and DG2 masks, the shape of these golden horns were more to a customer’s character design. The zig zag direction of the horns is subtle in comparison to some drawings, but our poor dragon friend must duck in doorways nonetheless. We revisited the idea of scales/plates for a mask design, addressing the concept of dragon scales in this minimal form.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

Who knew that giraffes might also be made of rubber? A simple attempt off of our existing equine masks, we positioned the ears more to the side. We had to sculpt a set of ossicones (these are the nodes atop a giraffe’s head). In nature, they have tufts of hair/fur on it but we look at our creation as a bouncy rubber giraffe, so we made the horn shape silly and simple. We love the versatility of the wearer, and our mask now makes that apparent.

Who knew that giraffes might also be made of rubber? A simple attempt off of our existing equine masks, we positioned the ears more to the side. We had to sculpt a set of ossicones (these are the nodes atop a giraffe’s head). In nature, they have tufts of hair/fur on it but we look at our creation as a bouncy rubber giraffe, so we made the horn shape silly and simple. We love the versatility of the wearer, and our mask now makes that apparent.

Who knew that giraffes might also be made of rubber? A simple attempt off of our existing equine masks, we positioned the ears more to the side. We had to sculpt a set of ossicones (these are the nodes atop a giraffe’s head). In nature, they have tufts of hair/fur on it but we look at our creation as a bouncy rubber giraffe, so we made the horn shape silly and simple. We love the versatility of the wearer, and our mask now makes that apparent.

Who knew that giraffes might also be made of rubber? A simple attempt off of our existing equine masks, we positioned the ears more to the side. We had to sculpt a set of ossicones (these are the nodes atop a giraffe’s head). In nature, they have tufts of hair/fur on it but we look at our creation as a bouncy rubber giraffe, so we made the horn shape silly and simple. We love the versatility of the wearer, and our mask now makes that apparent.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Another strong feline, this time a vividly colored cheetah. Yes, its known that with doing a striped design, the spotty cats will want a say here at Wildgasmasks. A feline of a different pattern, the chee(tah-Leo)pard entices our commissioner’s imagination, inspiring the very artist who would paint on those spots. The style of ears finish off the piece, going for nice rigid linework vs the natural markings of the subtle brushwork.

Just one dragon mask? That simply will not do. Taku the Dragon found himself wanting something that resembled his character. The sculpt of the muzzle, nostrils and teeth area was given our touch. The deep red of the underchin goes all the way to the neck, and we topped this off with mirrored green lenses. The second of the dragons released this year, we think this is the beginning of something beautiful.

Just one dragon mask? That simply will not do. Taku the Dragon found himself wanting something that resembled his character. The sculpt of the muzzle, nostrils and teeth area was given our touch. The deep red of the underchin goes all the way to the neck, and we topped this off with mirrored green lenses. The second of the dragons released this year, we think this is the beginning of something beautiful.

Just one dragon mask? That simply will not do. Taku the Dragon found himself wanting something that resembled his character. The sculpt of the muzzle, nostrils and teeth area was given our touch. The deep red of the underchin goes all the way to the neck, and we topped this off with mirrored green lenses. The second of the dragons released this year, we think this is the beginning of something beautiful.

Just one dragon mask? That simply will not do. Taku the Dragon found himself wanting something that resembled his character. The sculpt of the muzzle, nostrils and teeth area was given our touch. The deep red of the underchin goes all the way to the neck, and we topped this off with mirrored green lenses. The second of the dragons released this year, we think this is the beginning of something beautiful.

Something simple and something blue. Customer choice of the fine lines were cast with a firm hand. With a vivid blue base coat and the choice of a simple paint job, stark white areas give contrast to the eyes and ears of the mask.

Something simple and something blue. Customer choice of the fine lines were cast with a firm hand. With a vivid blue base coat and the choice of a simple paint job, stark white areas give contrast to the eyes and ears of the mask.

Something simple and something blue. Customer choice of the fine lines were cast with a firm hand. With a vivid blue base coat and the choice of a simple paint job, stark white areas give contrast to the eyes and ears of the mask.

Quite a different take on what is a recognizable modern collectible horse. Pink slanted lines draw the viewer up. With the muzzle mount option, a clean profile meets with the clean, hard lines of our paintjob.

Quite a different take on what is a recognizable modern collectible horse. Pink slanted lines draw the viewer up. With the muzzle mount option, a clean profile meets with the clean, hard lines of our paintjob.

Quite a different take on what is a recognizable modern collectible horse. Pink slanted lines draw the viewer up. With the muzzle mount option, a clean profile meets with the clean, hard lines of our paintjob.

Quite a different take on what is a recognizable modern collectible horse. Pink slanted lines draw the viewer up. With the muzzle mount option, a clean profile meets with the clean, hard lines of our paintjob.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.