With the final coats on our painted design, it was time to add our secondary colors, mixed for the sake of making our UV reactive painjob pop even more. With respect to the character’s goatee, a small brush was used to create the impression of hair the best way it might look on a rubber tiger.

Just waiting for my stripes to dry. With the area cut in for the EL wire, it did take a few revisits to the edges, and some fine work with a tool.

Getting there, and Kat has reached the center of the head

This became a great marker to keep my stripe work flowing in the right direction. This is just one of many stripes that essentially were a reproduction of the stripes from Quietfire Version 1.

Kat just went on a whim and chose to work from the cheeks and work my way to the back of the hood

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

The thick encasement of a hooded jackal, with the touch of hot flames. This was a great project to try and warm us up… figuratively speaking, of course. With a rough premise of creating a hardcore design in our UV red paint, it took some fiddling to get a design that we (and the customer) could be happy with. With a mix from previous god paint designs, the ears are rendered with an outline that tapers at the bottom and thick horizontal lines along the contours. The eyes are the most intense when the UV light is on, lined with triangular flames, with a middle one extending down each cheek. It has made its voyage over to Europe and is bound to heat up any club it walks into.

A few more coats and it will be perfect…

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

A reprise that sings alongside the quietest of fires. Stego gave this hooded KG1 an overhaul, while solving a change of fit in the wearer. The first part was breakdown, including revising elements of the EL lighting. It involved destruction of the paint job, and I cant tell you how hard that was for us. Quietfire’s look is distinct, and we pretty much nailed the design the first time. Once the fit was adjusted, there was a revisiting of familiar territory for everyone, as the design was redone. We did try some different colors, adding a third layer of paint, using UV reactive colors. Many of the lines at the brow and in the stripes had the UV detailing trying to curve with the rubber mask form, aiming for the look of fur highlights.

Bungee Horse is watching you…

…on a stiick! Yes, this is how our web designer is motivated to punch out that code. Hard to lag behind when your jackal overlord is watching over you.

Total accident in how the photo came out. A sleek coat can look positively dreamy.

Snuggling Quietfire’s ‘head’ while I work.

Placing the center of rosettes upon our second Snow Leopard mask.

Shape of EL Wire along the face and inside the mohawk.

Like Abbott and Costello

The zorse has become vain, we think. Really, the mirror was helpful in achieving symetry and getting a full idea of proper flow for the markings.

Refinement of the stripes, narrowing and widening for a natural looking zebra pattern.

2 hooded jackals after prep of thier coat…

More of the masks back, flowing into the short mohawk…

In progress of painting Spottacus\\\\’ Cherval mask

One of our masks was returned by the postal service. Suddenly we had 2 unicorns with flames and lightening bolts engraved into the head.

Black Spottycat with Gold Features, in progress.

Jackal featuring filled in ports, for further customization.

Gabriel holding the lead of his partner, Hexx. This photoshoot was done during Folsom Street Faire in 2011
Photo Credit: Mark Chester

Rubber and corsets, wearing our KG1.

Group shot from a German Kink Event. KG1s, Jackals, and Horses, oh my!

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Sometimes ponies just inspire other ponies. T.H.’s mask has come along, dotted with white accents on the muzzle. The brown “ring” around the muzzle draws attention to its smooth muzzle, placed with hopes of resembling a real life photograph. A strong personality is complimented by the mohawk attached to this hooded creation. This commission is part of an ongoing relationship between characters of imagination and their owners.

Straight out of the 2D world, Punky Tiger is ready to have fun in the dancing crowds. Adapted from the world of a gifted comic artist, precision was a must when placing the stripes and achieving symmetry with the muzzle. A pair of stripes rests atop the white, running along the cheeks. Going for the full 360, more stripes move down the back of the hood and down the neck. This allows our mask to look good on all sides, whether “bald” or paired with the commissioner’s many blue wigs.

Straight out of the 2D world, Punky Tiger is ready to have fun in the dancing crowds. Adapted from the world of a gifted comic artist, precision was a must when placing the stripes and achieving symmetry with the muzzle. A pair of stripes rests atop the white, running along the cheeks. Going for the full 360, more stripes move down the back of the hood and down the neck. This allows our mask to look good on all sides, whether “bald” or paired with the commissioner’s many blue wigs.

Straight out of the 2D world, Punky Tiger is ready to have fun in the dancing crowds. Adapted from the world of a gifted comic artist, precision was a must when placing the stripes and achieving symmetry with the muzzle. A pair of stripes rests atop the white, running along the cheeks. Going for the full 360, more stripes move down the back of the hood and down the neck. This allows our mask to look good on all sides, whether “bald” or paired with the commissioner’s many blue wigs.

Straight out of the 2D world, Punky Tiger is ready to have fun in the dancing crowds. Adapted from the world of a gifted comic artist, precision was a must when placing the stripes and achieving symmetry with the muzzle. A pair of stripes rests atop the white, running along the cheeks. Going for the full 360, more stripes move down the back of the hood and down the neck. This allows our mask to look good on all sides, whether “bald” or paired with the commissioner’s many blue wigs.

Straight out of the 2D world, Punky Tiger is ready to have fun in the dancing crowds. Adapted from the world of a gifted comic artist, precision was a must when placing the stripes and achieving symmetry with the muzzle. A pair of stripes rests atop the white, running along the cheeks. Going for the full 360, more stripes move down the back of the hood and down the neck. This allows our mask to look good on all sides, whether “bald” or paired with the commissioner’s many blue wigs.

Straight from dreams, this is a unicorn of a different color. From the visions of a dedicated pet, this uses a bright magenta, matching a catsuit. A contrasting black horn emerges from the navy blue diamond, going with an original design. Ronin would later add some dainty accessories, enhancing the fantasy factor.

A feline that allows you to breathe (and drink) easy. Wildgasmask products are designed around enclosure of some kind, but we never run out of alternative suggestions that might veer us away from the status quo. We created a hybrid of something that encases but that is less restrictive than our typical hoods. You can consider this a ‘wild mask’ (vs a wildgasmask). The internal components were not added to this mask, so we could apply mesh into the eye sockets, however this commissioner opted out of lenses altogether. The hood was used to our advantage to keep the chin covered up from those who may be standing nearby. The area of exposed skin is minimal, leaving an opening just large enough to accomodate a straw and give the wearer a clearer breathing passage.

Straight from dreams, this is a unicorn of a different color. From the visions of a dedicated pet, this uses a bright magenta, matching a catsuit. A contrasting black horn emerges from the navy blue diamond, going with an original design. Ronin would later add some dainty accessories, enhancing the fantasy factor.

A feline that allows you to breathe (and drink) easy. Wildgasmask products are designed around enclosure of some kind, but we never run out of alternative suggestions that might veer us away from the status quo. We created a hybrid of something that encases but that is less restrictive than our typical hoods. You can consider this a ‘wild mask’ (vs a wildgasmask). The internal components were not added to this mask, so we could apply mesh into the eye sockets, however this commissioner opted out of lenses altogether. The hood was used to our advantage to keep the chin covered up from those who may be standing nearby. The area of exposed skin is minimal, leaving an opening just large enough to accomodate a straw and give the wearer a clearer breathing passage.

Straight from dreams, this is a unicorn of a different color. From the visions of a dedicated pet, this uses a bright magenta, matching a catsuit. A contrasting black horn emerges from the navy blue diamond, going with an original design. Ronin would later add some dainty accessories, enhancing the fantasy factor.

A feline that allows you to breathe (and drink) easy. Wildgasmask products are designed around enclosure of some kind, but we never run out of alternative suggestions that might veer us away from the status quo. We created a hybrid of something that encases but that is less restrictive than our typical hoods. You can consider this a ‘wild mask’ (vs a wildgasmask). The internal components were not added to this mask, so we could apply mesh into the eye sockets, however this commissioner opted out of lenses altogether. The hood was used to our advantage to keep the chin covered up from those who may be standing nearby. The area of exposed skin is minimal, leaving an opening just large enough to accomodate a straw and give the wearer a clearer breathing passage.

Straight from dreams, this is a unicorn of a different color. From the visions of a dedicated pet, this uses a bright magenta, matching a catsuit. A contrasting black horn emerges from the navy blue diamond, going with an original design. Ronin would later add some dainty accessories, enhancing the fantasy factor.

Straight from dreams, this is a unicorn of a different color. From the visions of a dedicated pet, this uses a bright magenta, matching a catsuit. A contrasting black horn emerges from the navy blue diamond, going with an original design. Ronin would later add some dainty accessories, enhancing the fantasy factor.

A feline that allows you to breathe (and drink) easy. Wildgasmask products are designed around enclosure of some kind, but we never run out of alternative suggestions that might veer us away from the status quo. We created a hybrid of something that encases but that is less restrictive than our typical hoods. You can consider this a ‘wild mask’ (vs a wildgasmask). The internal components were not added to this mask, so we could apply mesh into the eye sockets, however this commissioner opted out of lenses altogether. The hood was used to our advantage to keep the chin covered up from those who may be standing nearby. The area of exposed skin is minimal, leaving an opening just large enough to accomodate a straw and give the wearer a clearer breathing passage.

Sometimes you need the perfect headpiece to make your look. This was one of the commissions that involved a close-to-accurate color match with the commissioner’s latex garment. Snake’s paint concept was simple, going with black inner ears against a deep red.

Wildgasmasks adding a little extra to this masks’ form, giving a subtle roughness to this character. A small hood attached to this mask makes it easy to don and doff with a small stretch over the wearer’s head. This strong commander jackal’s red accents emphasize the engraving done at the eye level. They say that scars build character, and our commissioner has plenty of that.

Wildgasmasks adding a little extra to this masks’ form, giving a subtle roughness to this character. A small hood attached to this mask makes it easy to don and doff with a small stretch over the wearer’s head. This strong commander jackal’s red accents emphasize the engraving done at the eye level. They say that scars build character, and our commissioner has plenty of that.

Wildgasmasks adding a little extra to this masks’ form, giving a subtle roughness to this character. A small hood attached to this mask makes it easy to don and doff with a small stretch over the wearer’s head. This strong commander jackal’s red accents emphasize the engraving done at the eye level. They say that scars build character, and our commissioner has plenty of that.

Sometimes you need the perfect headpiece to make your look. This was one of the commissions that involved a close-to-accurate color match with the commissioner’s latex garment. Snake’s paint concept was simple, going with black inner ears against a deep red.

Wildgasmasks adding a little extra to this masks’ form, giving a subtle roughness to this character. A small hood attached to this mask makes it easy to don and doff with a small stretch over the wearer’s head. This strong commander jackal’s red accents emphasize the engraving done at the eye level. They say that scars build character, and our commissioner has plenty of that.

Sometimes you need the perfect headpiece to make your look. This was one of the commissions that involved a close-to-accurate color match with the commissioner’s latex garment. Snake’s paint concept was simple, going with black inner ears against a deep red.

Wildgasmasks adding a little extra to this masks’ form, giving a subtle roughness to this character. A small hood attached to this mask makes it easy to don and doff with a small stretch over the wearer’s head. This strong commander jackal’s red accents emphasize the engraving done at the eye level. They say that scars build character, and our commissioner has plenty of that.

Sometimes you need the perfect headpiece to make your look. This was one of the commissions that involved a close-to-accurate color match with the commissioner’s latex garment. Snake’s paint concept was simple, going with black inner ears against a deep red.

Painted with realism, we created a simple white blaze upon this HG1. Wildfire is a very personal character for this commissioner so the simple design was not to be taken lightly. The shapes were blocked in rough and then refined as each coat went on. While many may think all horses with a blaze upon the muzzle are “all the same”, we disagree. There will never be another one like Wildfire.