Finishing off the design with the selection of a pink nose. Darker areas had been blocked in previously as the natural markings one can find around the nostrils.

Wanted to make sure the white of the ears and the dark tip were seamless so Kat found herself switching back and forth.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

Placing the center of rosettes upon our second Snow Leopard mask.

Total accident in how the photo came out. A sleek coat can look positively dreamy.

Placing the center of rosettes upon our second Snow Leopard mask.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer’s previous snow mew paintjob. Once “erased”, the design was re-created using the softer-and-often-feathered brush technique.