Jackal 100

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

A monochromatic pony design for Grumbles. The white diamond uses strong, firm lines. It is met at the muzzle with a silvery grey which is feathered along the edges. Simple and sweet, this horse will steal your heart with its gentle look.

Letting the paint fly! This grey HG1 is mottled with deeper greys on the ears, a painted work of art. An additional dash of pink is painted in the nostrils, bringing you to a smooth grey line on the muzzle. Reflective blue lenses gaze at you, with WGM's custom colored valves, a great choice by our equine customer. We like random and this is a great example of how we really dont paint any one mask exactly the same.

Letting the paint fly! This grey HG1 is mottled with deeper greys on the ears, a painted work of art. An additional dash of pink is painted in the nostrils, bringing you to a smooth grey line on the muzzle. Reflective blue lenses gaze at you, with WGM's custom colored valves, a great choice by our equine customer. We like random and this is a great example of how we really dont paint any one mask exactly the same.

Letting the paint fly! This grey HG1 is mottled with deeper greys on the ears, a painted work of art. An additional dash of pink is painted in the nostrils, bringing you to a smooth grey line on the muzzle. Reflective blue lenses gaze at you, with WGM's custom colored valves, a great choice by our equine customer. We like random and this is a great example of how we really dont paint any one mask exactly the same.

Letting the paint fly! This grey HG1 is mottled with deeper greys on the ears, a painted work of art. An additional dash of pink is painted in the nostrils, bringing you to a smooth grey line on the muzzle. Reflective blue lenses gaze at you, with WGM's custom colored valves, a great choice by our equine customer. We like random and this is a great example of how we really dont paint any one mask exactly the same.

Many of you might say "less is more" and this pony is no exception. Simple and sleek, this shows another simple design often requested for our horse masks. The diamond was placed accurate to the one on the commissioner's Fury Fantasy mask, with our mask becoming another option for the commissioner's character.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

Another mask done just in time for FC. Inaki was happy for that since he wanted to have that as an option to wear at the con. Just like the leopard one I designed for myself, this mask features dense spots, the colors laid down in a bead.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer's previous snow mew paintjob. Once "erased", the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer's previous snow mew paintjob. Once "erased", the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer's previous snow mew paintjob. Once "erased", the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer's previous snow mew paintjob. Once "erased", the design was re-created using the softer-and-often-feathered brush technique.

After a good long time of being a non-hooded snowmew, our customer wanted to go the extra mile and get a full encasement option.

The back of the mask was filled in around the customer's previous snow mew paintjob. Once "erased", the design was re-created using the softer-and-often-feathered brush technique.