Jackal Model 2 (Returning Soon)

Finishing off the design with the selection of a pink nose. Darker areas had been blocked in previously as the natural markings one can find around the nostrils.

Wanted to make sure the white of the ears and the dark tip were seamless so Kat found herself switching back and forth.

Waiting for the last bit of paint to dry before sending off pics to our client.

With the final coats on our painted design, it was time to add our secondary colors, mixed for the sake of making our UV reactive painjob pop even more. With respect to the character's goatee, a small brush was used to create the impression of hair the best way it might look on a rubber tiger.

Just waiting for my stripes to dry. With the area cut in for the EL wire, it did take a few revisits to the edges, and some fine work with a tool.

Getting there, and Kat has reached the center of the head

This became a great marker to keep my stripe work flowing in the right direction. This is just one of many stripes that essentially were a reproduction of the stripes from Quietfire Version 1.

Kat just went on a whim and chose to work from the cheeks and work my way to the back of the hood

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear's overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear's overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god Jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear's overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

A god jackal of a different gold. Client changed things up and so we went goldenrod in place of our metallic gold. Tapered lines make up the ear's overall design, enhancing the contours of the inner ear. Based from a client reference, the eyes break a bit from the standard close quarters of eye outlines. With use of our new accessory options, things are topped off with matching intake valves.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

With all the horses we have painted, its time to return to the vision of a majestic bay horse. With the many forests in its destination land, you can assure that the warmth of a gentle equine will greet you. Applying a chocolate coat with some red pigment, a black area is stark along the front of its muzzle and nostrils. Upon the forehead a white blaze is painted, hinting at a diamond shape. Using some soft blending, we did our best to blend the solid strong brown with the painted on areas of our mask. The diamond was painted with a bit of a wiggle, with different sized strokes at the edges. We hope the wiggle worked into the blaze reflects movement in our work. This pony is bound for lands oversea, with intention placed in the mask to exhibit its unbridled nature.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.

In the snowy mountains, the snow leopard hides with greys and whites. Its about being low key and mellow, stealth and large paws built to work around snowy terrain. These are adaptive creatures, streamlined for warmth. Another snow leopard crosses our path, with a flair in its eyes and heart. Our greyscale scheme started with a mid grey coat, and a splash of white. Our brushed design takes on realism, including continued use of real life references. The ears are capped on the back with black, and the white block is blended in. We gave a nice (but bright) pink nose, and the choice of yellow lenses helped bring some color out in the overall design.